安娜塔西亚
年份:2016
地区:英国
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评分:0.0 分
播放:2 次
更新:2020年10月18日
导演:Kenneth MacMillan
编剧:彼得·伊里奇·柴可夫斯基|Bohuslav Martinu
主演:Natalia Osipova|Marianela Nu?ez|Federico Bonelli|Edward Watson|Thiago Soares|Christina Arestis|Christopher Saunders|Olivia Cowley|Beatriz Stix-Brunell|Yasmine Naghdi|Kristen McNally|Alastair Marriott|Alexander Campbell|Ryoichi Hirano|Valeri Hristov|Luca Acri|Tristan Dyer|Marcelino Sambé
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剧情介绍
Events overtake the young Grand Duchess Anastasia Romanov and her family: World War I is declared, and then the Russian Revolution brings their privileged lives to an end.
A woman who believes herself to be Anastasia, sole survivor from the massacre of the Romanovs, is incarcerated in an asylum. Memory and fantasy intermingle; she recalls her rescue, the death of her husband, the disappearance of her child and her attempted suicide. But, despite her nightmares, her faith in her own identity cannot be shaken.
Kenneth MacMillan created the one-act ballet Anastasia for Deutsche Oper Ballet in 1967. He was inspired by the true story of Anna Anderson, a woman who believed herself to be Anastasia, youngest daughter of Tsar Nicholas II and the only survivor from the assassination of the Romanovs in 1918. Leaving the audience to decide the legitimacy of Anna’s claims, MacMillan created a haunting, expressionist work to Martin?’s Sixth Symphony, in which Anna is visited by confused nightmares of her life from the time of the massacre to her discovery in Berlin in 1920. The ballet won widespread acclaim on its premiere, particularly for the central performance of Lynn Seymour in the anguished title role. As MacMillan said in 1971, ‘I found in [Anna’s] story a theme that has sometimes appeared in my work before: the Outsider figure. Anastasia seems to me to be a supreme example of this’.
A woman who believes herself to be Anastasia, sole survivor from the massacre of the Romanovs, is incarcerated in an asylum. Memory and fantasy intermingle; she recalls her rescue, the death of her husband, the disappearance of her child and her attempted suicide. But, despite her nightmares, her faith in her own identity cannot be shaken.
Kenneth MacMillan created the one-act ballet Anastasia for Deutsche Oper Ballet in 1967. He was inspired by the true story of Anna Anderson, a woman who believed herself to be Anastasia, youngest daughter of Tsar Nicholas II and the only survivor from the assassination of the Romanovs in 1918. Leaving the audience to decide the legitimacy of Anna’s claims, MacMillan created a haunting, expressionist work to Martin?’s Sixth Symphony, in which Anna is visited by confused nightmares of her life from the time of the massacre to her discovery in Berlin in 1920. The ballet won widespread acclaim on its premiere, particularly for the central performance of Lynn Seymour in the anguished title role. As MacMillan said in 1971, ‘I found in [Anna’s] story a theme that has sometimes appeared in my work before: the Outsider figure. Anastasia seems to me to be a supreme example of this’.
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