角色

角色

年份:1977

地区:印度

上映:1977

评分:0.0 分

播放:94 次

更新:2020年08月16日

导演:夏姆·班尼戈尔

编剧:夏姆·班尼戈尔|Satyadev Dubey|Girish Karnad|Hansa Wadkar

主演:Smita Patil|Anant Nag|纳萨鲁丁·沙|阿莫瑞什·普瑞|阿莫·帕拉卡|库尔布尚·卡尔班达|Sulabha Deshpande|Baby Ruksana|B.V. Karanth|Dina Pathak|Mohan Agashe|Master Abhitab|欧姆·普瑞|Benjamin Gillani

分类:剧情

Coming from a poor and destitute family, Urvashi is encouraged by her mother, Shanta (Sualbha Deshpande) to be on more than friendly terms with a much older male, Keshav Dalvi (Amol Palekar). Keshav takes a liking to young Urvashi, and encourages her to explore her talents in films, which she does, and does gain popularity, starting as a singer, than accomplishing herself as an actress/singer. She decides to marry Keshav, only to be discouraged by her own mother, but she is strong-willed, and does marry him. She has a baby girl after the marriage, but feels stifled and oppressed with Keshav, and has affairs with her co-star Rajan (Anant Nag), a film producer, Sunil Verma (Naseeruddin Shah), but ends up dissatisfied. Then she meets wealthy Vinayak Kale (Amrish Puri), and decides to settle down with him, little knowing that he is already married to another woman, and also has a son. By the time she finds out it is too late, she has already been accepted in his household, and any woman, whether his own mother(Dina Pathak), his present handicapped wife, and even Urvashi have to follow the rules laid down - no women can leave the house under any circumstances, except after death.
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朝阳区妻夫木聪

#3rdPYIFF# 技巧还挺好的,但是这个故事看得我太纠结了…感觉片子传递的态度还是有些摇摆或者说暧昧吧,女主角不断逃离,又反复迂回,银幕形象和家庭形象这二者间存在一定的镜像关系,估计可能放在那个年代的印度已经算先锋了吧。不过像这种“男人都是大猪蹄子”的故事,看完了感觉我的恐婚症又加剧了一丢丢……

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西楼尘

一生经历四个男人,才悟出男人相貌会变,但本质永远不变。他或许陪你成功,但日后坐吃山空;他或许陪你演戏,但遇事选择逃避。他或许才华四溢,但不能与你共死;他或许风流倜傥,但注定将你囚禁。无论是在自由的孟买,还是困在无爱的四壁,无论是在镜头里放歌,还是在病床上裹足,女人注定逃不掉宿命。

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胤祥

#3rd PYIFF# 回顾。实心实意的五星。“绝不认命”的女演员,辗转于不同的男人的压迫之中,一直无法获得她想要的自由。其实[千年女优]拍成真人版的话,剧作上基本也就如此吧……几个男人各有各的渣,要数那个导演写得最为传神,丈夫的控制狂写得也相当到位。这部片的视听和剧作还是比较洋气的,回忆部分很不错,傍大款部分其实还有个故意的时间上的模糊,戏中戏用得相当之好,加上印度电影本身又多一重歌舞的表意方式,整体文本做得相当之严密。有些观念和场景非常超前!

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