剧情介绍
For some reason "Noon Wine" isn't out on DVD yet.I hope that, given Peckinpah's popularity, it is only a matter of time until this is released, because it really is one of the best things he ever did both as a writer and director. Adapted from Katherine Anne Porter's short story, this is a dark, bleak tragedy set in 1890 Texas. The outcome of the simple story (which I won't describe) is predictable but still has a strong impact on the viewer thanks to the strength of the script, actors, and direction.
It's especially surprising that "Noon Wine" doesn't have an official release since it was a major part of Peckinpah's career. He was viewed as an outcast following the troubled production of "Major Dundee" and was luckily hired by producer Daniel Melnick, a fan of Peckinpah's, to direct and write this adaptation for ABC. Peckinpah was nominated for directing and writing rewards by the respective guilds, and the critical success of "Noon Wine" led to Peckinpah being hired for his most famous and appreciated film- "The Wild Bunch". It would be simplistic to say that "Noon Wine" saved his career, but it wouldn't be (entirely) incorrect.
Peckinpah's work here as a writer is particularly good, achieving a rare level of artistic depth, but his work as director is equally impressive, mute as his style is here in comparison to some of his other work. The film, which clocks in at 48 minutes in length, is immensely satisfying, more than most features are, in fact, partially thanks to Jason Robards. He considered it one of his most satisfying professional experiences, and I think it really is one of his finest performances, making this a must-see for all Robards fans as well as all Peckinpah fans.
The short novel this is based on is definitely worth reading, but I can see why Porter enthusiastically endorsed Peckinpah's script for "Noon Wine", because it efficiently captures the essence of the story without ever being too stringently faithful, allowing for just enough flexibility for the film to work on its own terms. If you can find "Noon Wine" you simply must see it.
It's especially surprising that "Noon Wine" doesn't have an official release since it was a major part of Peckinpah's career. He was viewed as an outcast following the troubled production of "Major Dundee" and was luckily hired by producer Daniel Melnick, a fan of Peckinpah's, to direct and write this adaptation for ABC. Peckinpah was nominated for directing and writing rewards by the respective guilds, and the critical success of "Noon Wine" led to Peckinpah being hired for his most famous and appreciated film- "The Wild Bunch". It would be simplistic to say that "Noon Wine" saved his career, but it wouldn't be (entirely) incorrect.
Peckinpah's work here as a writer is particularly good, achieving a rare level of artistic depth, but his work as director is equally impressive, mute as his style is here in comparison to some of his other work. The film, which clocks in at 48 minutes in length, is immensely satisfying, more than most features are, in fact, partially thanks to Jason Robards. He considered it one of his most satisfying professional experiences, and I think it really is one of his finest performances, making this a must-see for all Robards fans as well as all Peckinpah fans.
The short novel this is based on is definitely worth reading, but I can see why Porter enthusiastically endorsed Peckinpah's script for "Noon Wine", because it efficiently captures the essence of the story without ever being too stringently faithful, allowing for just enough flexibility for the film to work on its own terms. If you can find "Noon Wine" you simply must see it.
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十音
《愚人船》(1961) 作者从1940年开始创作这部小说,波特自称这是她写的最费力的一篇小说。它写1931年希特勒政权以前从墨西哥开往德国的一艘客轮上形形色色的人物,描绘了一幅大难临头的世界图景。作者企图表明,“恶”总是在“善”的妥协与默契下得逞。人的天性是脆弱的,人有毁灭别人和自我的本能。这
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2020年12月27日