剧情介绍
Roman Balayan, in 1998, took a twenty-painting "Night at the Museum Paradzhanova. The film - a kind of tribute to the director to his teacher.
Room deserted, in the sense that the people in it no, but the subjects live their own life exactly as long until cry out a rooster. And "cry out" one that collected Paradzhanov God knows of any available material. The feeling that night is walking in the wind, turning over pages of books. You hear the ringing of breakable glass, good collages from bottles and pieces of old crockery are quite luxurious. Dolls sit on frames, dangling his legs, as well as in the light of day, but there was something mystical in them appears deadly. Beside himself Paradjanov, mounted in the lives of others, with epaulettes, or even with people of a bygone era. Lamps are lit, maybe even oil lamps - all as fond Paradjanov. But the dawn is breaking, the room filled with sunshine, and everything changes.
Room deserted, in the sense that the people in it no, but the subjects live their own life exactly as long until cry out a rooster. And "cry out" one that collected Paradzhanov God knows of any available material. The feeling that night is walking in the wind, turning over pages of books. You hear the ringing of breakable glass, good collages from bottles and pieces of old crockery are quite luxurious. Dolls sit on frames, dangling his legs, as well as in the light of day, but there was something mystical in them appears deadly. Beside himself Paradjanov, mounted in the lives of others, with epaulettes, or even with people of a bygone era. Lamps are lit, maybe even oil lamps - all as fond Paradjanov. But the dawn is breaking, the room filled with sunshine, and everything changes.
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空楼一夜听秋雨, 老鬼阴影无遗忘, 破窗而入琉璃碎, 灰鸟殷勤来探看, 谁人夜访博物馆, 秉烛吟游赏遗物; 不可回收艺术品, 碎瓷破烂洋娃娃。 耙垃圾懦夫在否? “我在童年已死去”~~ ——垃圾是放错地方的艺术品
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2020年12月27日