剧情介绍
圣彼得堡的贵族青年奥涅金,曾经有过和一般贵族青年相似的奢靡生活,但他逐渐开始厌倦上流社会的空虚无聊,抱着对新生活的向往来到乡村。然而,华而不实的贵族教育没有任何帮助,奥涅金四处碰壁,整日苦闷彷徨。在乡下的庄园,他和连斯基及其未婚妻奥尔迦成为好友。奥尔迦的姐姐塔吉扬娜纯朴 、多情,爱上了奥涅金,并勇敢地写信向他倾诉自己纯洁的爱情,但遭到拒绝。经历重重波折之后,二人再次相遇,当年他拒绝她的爱,再遇才知真情谁属,然而一切已物是人非……
When Deborah Warner’s production of Eugene Onegin opened the Met season in 2013, soprano Anna Netrebko had only recently begun singing the role of Tatiana; however, when she returned to the part at the Met a few years later, her dramatic approach, like that of the character herself, had grown over time. With a smoldering vocal performance, Netrebko embodies the nuanced aspects of Tatiana’s personality—growing from a girl in the blossom of youth into an elegant, cosmopolitan princess. Opposite her, Peter Mattei sings the title role, a nonplussed aristocrat who discovers the power of love too late, with a rich, supple baritone. As the ardent poet Lenski, bright-voiced tenor Alexey Dolgov offers a heartbreaking portrayal. Elena Maximova is Lenski’s carefree lover Olga, and bass Stefan Kocán delivers a moving performance as the aging Prince Gremin. Maestro Robin Ticciati leads the Met Orchestra and Chorus in a textured reading of Tchaikovsky’s beloved score.
Cast & Creative
CONDUCTOR
Robin Ticciati
TATIANA
Anna Netrebko
LENSKY
Alexey Dolgov
ONEGIN
Peter Mattei
GREMIN
Stefan Kocán
http://www.metopera. org/season/on-demand /opera/?upc=81135701 9443
When Deborah Warner’s production of Eugene Onegin opened the Met season in 2013, soprano Anna Netrebko had only recently begun singing the role of Tatiana; however, when she returned to the part at the Met a few years later, her dramatic approach, like that of the character herself, had grown over time. With a smoldering vocal performance, Netrebko embodies the nuanced aspects of Tatiana’s personality—growing from a girl in the blossom of youth into an elegant, cosmopolitan princess. Opposite her, Peter Mattei sings the title role, a nonplussed aristocrat who discovers the power of love too late, with a rich, supple baritone. As the ardent poet Lenski, bright-voiced tenor Alexey Dolgov offers a heartbreaking portrayal. Elena Maximova is Lenski’s carefree lover Olga, and bass Stefan Kocán delivers a moving performance as the aging Prince Gremin. Maestro Robin Ticciati leads the Met Orchestra and Chorus in a textured reading of Tchaikovsky’s beloved score.
Cast & Creative
CONDUCTOR
Robin Ticciati
TATIANA
Anna Netrebko
LENSKY
Alexey Dolgov
ONEGIN
Peter Mattei
GREMIN
Stefan Kocán
http://www.metopera.
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KLEIO
(我已太非主流)还是Tatiana's letter scene最好听,已被严重洗脑..感叹从Tchaikovsky回到Pushkin需要脑补太多.虽然布景很美,俄语很好听,但真的不适应歌剧这种高音炮轰炸三小时...
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2020年11月26日
破格
2018国际歌剧展/大都会Netrebko版/话说阻止毛子文学一步冲击世界文坛主流的是他们的名字的话,则其他艺术门类的问题在于革命价值观,然而这并不是毛子的问题/自从看完这部,对我这类人来说,最佳入门并不能是弄臣或者茶花女,而是要从价值观最相近的作品开始挖,于是,俄国歌剧反而变成了首选/再华丽再优美,也敌不过价值观的冲撞/直到开始了歌剧之旅,我才发现了被毛子发扬光大的那套阶级观对我来说影响到底有多深远/就算没有无产阶级主角,哪怕资产阶级做出真正的反省与批判也是更容易让我共情的/意法德俄四大里,俄语歌剧并不如前三者知名度那么高,那是因为本身这个领域的话语权就是在老牌资本主义列强手中/可是对于经过了彻底无产阶级革命国家的观众来说,俄语歌剧反而更容易上手
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2020年11月26日
青色石头
佩妮姨妈当舞台导演的第一部Met Opera啊,可惜当初记错了转播日期没看成,遗憾!- 后来OnDemand上补了,这版奥涅金虽然没Matti叔唱得好,但外型显然更适合
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2020年11月26日