剧情介绍
A pregnant young woman who lives in a sort of cave is looking for her vanished sister, yet this plot summary hardly does justice to
the charm, richness and radical nature of Burak ?evik’s first feature – all of which a result of the liberties he takes in creating an extravagant cinematic world to tell this story. The protagonist leaves her almost fairytale-like cave to set out across a river, taking up her sister’s trail. This trail leads her to a botanical garden, a bird shop, and a darkroom. The photo lab technician compares the effect of photographs to God turning Lot’s wife into a pillar of salt because she couldn’t resist the temptation of turning around to see Sodom be destroyed. Captured for eternity, transfixed for eternity – should we take it at face value when the protagonist tells the boatwoman that she is a part-time vampire? The dreamlike way in which the film digresses to show us a plant, a strip of negatives, or a table tennis match contributes considerably to the strange fascination it develops. Some things remain mysterious – which only makes us even more curious about what they might be referring to.
the charm, richness and radical nature of Burak ?evik’s first feature – all of which a result of the liberties he takes in creating an extravagant cinematic world to tell this story. The protagonist leaves her almost fairytale-like cave to set out across a river, taking up her sister’s trail. This trail leads her to a botanical garden, a bird shop, and a darkroom. The photo lab technician compares the effect of photographs to God turning Lot’s wife into a pillar of salt because she couldn’t resist the temptation of turning around to see Sodom be destroyed. Captured for eternity, transfixed for eternity – should we take it at face value when the protagonist tells the boatwoman that she is a part-time vampire? The dreamlike way in which the film digresses to show us a plant, a strip of negatives, or a table tennis match contributes considerably to the strange fascination it develops. Some things remain mysterious – which only makes us even more curious about what they might be referring to.
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胤祥
#Berlin2018# 导演24岁,自称施特劳布粉。不过这种神经刀片可能更适合鹿特丹……将索多玛城的回头变盐柱传说改写为“最残酷的惩罚是把人冻结在时间里”,以此去联系摄影-照片,以及”冻龄女主“的数个漫游空间,结构还算有想法,不过全片最亮的大概是“业余吸血鬼”这个设定吧。
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2020年12月27日
凉凉扬
层层循环/时间与梦境的交织反复/真真假假
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2020年12月27日