比才《采珠人》 "The Metropolitan Opera HD Live" Bizet: Les Pecheurs de Perles
年份：2016
地区：美国
上映：2016-01-16(美国)
评分：8.6 分
播放：20 次
更新：2018年12月03日
导演：马修·戴蒙德
编剧：
主演：Diana Damrau|Matthew Polenzani|Mariusz Kwiecien|Nicolas Testé
分类：音乐
剧情介绍
该剧发生在古代锡兰海岸（今斯里兰卡），讲述了爱情与友谊的故事。纳迪尔和祖尔加是一对好朋友，他们发誓绝不让爱情破坏兄弟情谊。此时，一个神秘的女祭司来到锡兰。祖尔加爱上了她，但纳迪尔发现她正是长期失散的爱人莱伊娜。纳迪尔倍受煎熬，要在毕生所爱和友谊誓言之间做出抉择。纳迪尔和 莱伊娜屈服被抓，祖尔加妒火中烧，想借机处死二人。在最后时刻，祖尔加幡然悔悟，烧毁村庄，牺牲自己放走了纳迪尔和莱伊娜。
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Bizet’s Les Pêcheurs de perles, set in Sri Lanka, is known above all for its unforgettable duet for tenor and baritone, but it its score is full of delightful and dramatic music. When recently staged at the Metropolitan Opera in New York it proved a major success, both for the production by Penny Woolcock and the musical performance, conducted by Paolo Noseda, with (once again) Diana Damrau as the priestess Le?la and, as the two men competing for love, the tenor Matthew Polenzani (Nadir) and the baritone Mariusz Kwiecien (Zurga). Woolcock’s concept brought the production up to date, with photographic and video references to the 2004 tsunami, and offered a superb ‘aquatic’ spectacle during the overture: the whole stage appeared to be beneath the Indian Ocean and acrobatic divers ‘swam’ down from the surface (located in the flies of the theatre).
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The Metropolitan Opera Orchestra and Chorus
Gianandrea Noseda, Penny Woolcock (dir.)
Diana Damrau (Le?la), Matthew Polenzani (Nadir), Mariusz Kwiecien (Zurga), Nicolas Teste (Nourabad)
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Bizet’s Les Pêcheurs de perles, set in Sri Lanka, is known above all for its unforgettable duet for tenor and baritone, but it its score is full of delightful and dramatic music. When recently staged at the Metropolitan Opera in New York it proved a major success, both for the production by Penny Woolcock and the musical performance, conducted by Paolo Noseda, with (once again) Diana Damrau as the priestess Le?la and, as the two men competing for love, the tenor Matthew Polenzani (Nadir) and the baritone Mariusz Kwiecien (Zurga). Woolcock’s concept brought the production up to date, with photographic and video references to the 2004 tsunami, and offered a superb ‘aquatic’ spectacle during the overture: the whole stage appeared to be beneath the Indian Ocean and acrobatic divers ‘swam’ down from the surface (located in the flies of the theatre).
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The Metropolitan Opera Orchestra and Chorus
Gianandrea Noseda, Penny Woolcock (dir.)
Diana Damrau (Le?la), Matthew Polenzani (Nadir), Mariusz Kwiecien (Zurga), Nicolas Teste (Nourabad)
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逃亡主义的比才和逃亡主义的我
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2020年11月26日
瑾羲Qing
今天第二部。觉得这一部比罗朱还要精彩很多很多！不愧是比才的名作，不愧是一开始就以歌剧形式写就得篇章。音乐真的太好听了！对《采珠人》的第一印象来自于那年庞清佟健花滑的bgm，还以为是个柔情的故事，原来是那么的壮烈啊！那两个男人，一个爱的轰轰烈烈，一个爱的深沉。最后那一幕真是壮烈，一把大火，烧掉他要领导的村庄……对了，开头选举那幕，每人一个面具，非常的cult了。。
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2020年11月26日
桃子
感受完国家大剧院的Wim Wenders版本，特地找了这个大家都说好的“大都会”版本又看了一遍。真是激情四射啊！！！三位演员也非常非常好。除去专业，男中音的身材真是……啧、啧！舞台设计也很有想法。只是也许因为我太喜欢Wim了吧，觉得这个版本的舞台太“实”了些，Wim的更接近God。特地注意了一下观众，果然如Wim在采访里所说，国外歌剧的观众多是老年人。
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2020年11月26日