比才《采珠人》 "The Metropolitan Opera HD Live" Bizet: Les Pecheurs de Perles
年份：2016
地区：美国
上映：2016-01-16(美国)
评分：8.6 分
播放：20 次
更新：2018年12月03日
导演：马修·戴蒙德
编剧：
主演：Diana Damrau|Matthew Polenzani|Mariusz Kwiecien|Nicolas Testé
分类：音乐
剧情介绍
该剧发生在古代锡兰海岸（今斯里兰卡），讲述了爱情与友谊的故事。纳迪尔和祖尔加是一对好朋友，他们发誓绝不让爱情破坏兄弟情谊。此时，一个神秘的女祭司来到锡兰。祖尔加爱上了她，但纳迪尔发现她正是长期失散的爱人莱伊娜。纳迪尔倍受煎熬，要在毕生所爱和友谊誓言之间做出抉择。纳迪尔和 莱伊娜屈服被抓，祖尔加妒火中烧，想借机处死二人。在最后时刻，祖尔加幡然悔悟，烧毁村庄，牺牲自己放走了纳迪尔和莱伊娜。
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Bizet’s Les Pêcheurs de perles, set in Sri Lanka, is known above all for its unforgettable duet for tenor and baritone, but it its score is full of delightful and dramatic music. When recently staged at the Metropolitan Opera in New York it proved a major success, both for the production by Penny Woolcock and the musical performance, conducted by Paolo Noseda, with (once again) Diana Damrau as the priestess Le?la and, as the two men competing for love, the tenor Matthew Polenzani (Nadir) and the baritone Mariusz Kwiecien (Zurga). Woolcock’s concept brought the production up to date, with photographic and video references to the 2004 tsunami, and offered a superb ‘aquatic’ spectacle during the overture: the whole stage appeared to be beneath the Indian Ocean and acrobatic divers ‘swam’ down from the surface (located in the flies of the theatre).
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The Metropolitan Opera Orchestra and Chorus
Gianandrea Noseda, Penny Woolcock (dir.)
Diana Damrau (Le?la), Matthew Polenzani (Nadir), Mariusz Kwiecien (Zurga), Nicolas Teste (Nourabad)
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Bizet’s Les Pêcheurs de perles, set in Sri Lanka, is known above all for its unforgettable duet for tenor and baritone, but it its score is full of delightful and dramatic music. When recently staged at the Metropolitan Opera in New York it proved a major success, both for the production by Penny Woolcock and the musical performance, conducted by Paolo Noseda, with (once again) Diana Damrau as the priestess Le?la and, as the two men competing for love, the tenor Matthew Polenzani (Nadir) and the baritone Mariusz Kwiecien (Zurga). Woolcock’s concept brought the production up to date, with photographic and video references to the 2004 tsunami, and offered a superb ‘aquatic’ spectacle during the overture: the whole stage appeared to be beneath the Indian Ocean and acrobatic divers ‘swam’ down from the surface (located in the flies of the theatre).
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The Metropolitan Opera Orchestra and Chorus
Gianandrea Noseda, Penny Woolcock (dir.)
Diana Damrau (Le?la), Matthew Polenzani (Nadir), Mariusz Kwiecien (Zurga), Nicolas Teste (Nourabad)
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青色石头
开场杂技很棒，城管还有马胖子基友二人组也不错。没听过什么其他版的录音就不瞎评唱功了。
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2020年11月26日
Ｍ
逃亡主义的比才和逃亡主义的我
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2020年11月26日
saintdump
歌剧电影展*美国大都会歌剧院*百美汇。比才25岁发表的歌剧处女作，充满了青春气息，年轻时畅想未来那种忧伤、甜美与激烈，甚至让我感到音乐在代替文本塑造人物。里面的人都像天神在唱歌，托宾写过同名的短篇小说，主人公回忆第一次听此剧时感到高贵的震颤，然后“未来即是异乡”，所以与其说是身份或宿命，不如说是各自的生活在撕扯着人们，也是朝向过去或未来的态度，决定了他们的行动，咏叹调唱的，无论是神殿二重唱还是那首花丛中，不就是这个么。所以我也不觉得情节狗血，就当是关于成长转折的一个寓言。此外，本剧以锡兰为背景，唱词频频向梵天湿婆祈祷，含有西方世界对异教的风情式解读，有趣的是，追求爱情与追求秩序的双方，都在诉求神明的保佑，但最终，还是人的决定调和了双方。MET版美工佳，虚拟成像和现代布景都营造了心理的纵深。
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2020年11月26日