剧情介绍
弗兰克,一位住在精神病院的70岁老人,制作了一部电影,希望能够至少让他40年前的两位前女友——丽娜和芭芭拉——中的一位回到他身边。机缘巧合下,这两位心存怨恨的情敌相遇并得知弗兰克对自己的背叛。她们发誓要报复弗兰克,带着一根魔棒、一杆猎枪回到了过去……
The ensemble film THE GENITAL WARRIORS takes a look at the common past of the three main characters as their memories meet and overlap. The 70-year-old Frank sits in a geronto-psychiatric ward and types a screenplay about his relationship with Lena and Barbara. These two embittered women come together with a magic wand and a shotgun to travel to the past and commit an act of revenge on him.
The ensemble film THE GENITAL WARRIORS takes a look at the common past of the three main characters as their memories meet and overlap. The 70-year-old Frank sits in a geronto-psychiatric ward and types a screenplay about his relationship with Lena and Barbara. These two embittered women come together with a magic wand and a shotgun to travel to the past and commit an act of revenge on him.
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雨亭
荒诞喜剧,对人的双重自我或多重自我的深刻剖析。关于爱、信任和背叛,作品看似在写男女之爱,实际上是想表达超越性别的感情。作者最终似乎在寻找自我的统一,但也许这是一个永远不可能完成的命题。
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2020年12月27日
Lynchman
在幻想与回忆拉起的四维空间内,一切由时序的扭曲与无来由的癫狂构筑的荒诞都成为合理的喜剧形式,与爱情这一伪命题的荒诞本质竟殊途同归。可惜繁复的形式翻转没有得到有力的剪辑逻辑支持,令闹剧化的视觉呈现显得相对单薄。
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2020年12月27日
苇杭
欧盟影展看的,在思维引发的时空交错中展现两性之间的关系,每一方都有各自的视角。马丁布伯所理解的关系是“我”与“你”,但我们常常会将关系无意识地走向“我”与“它”,这是一种欲望,不是一种热情。
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2020年12月27日