剧情介绍
French filmmaker Eugène Green offers a playful but insightful variation on the mythos of a fairy tale in this comedy drama, in which a tale of brave knights and evil ogres is played in modern dress, with the actors speaking in contemporary slang. The Lion Knight (Alexis Loret) is a young nobleman who searches the countryside with his faithful lion companion (who happens to resemble a pet dog). The Lion Knight encounters youthful Nicolas (Adrien Michaux) while the lad takes a walk in the woods, and together they set off to find the Ogre (Arnold Pasquier), who holds young women against their will and lives by eating the flesh of young children. While the Lion Knight is hot on the Ogre's trail, Nicolas is visited by an apparition of the Maiden of the Chapel (Laurène Cheilan), who has been captured by the beast. The Maiden gives Nicolas an enchanted sword and orders him to use it to kill the Ogre; meanwhile, the Lion Knight has found the Ogre's lair, but soon falls in love with Pénélope, the monster's unexpectedly pretty and compassionate wife. Along the way, the characters also find the time to discuss the French legal system and the writings of philosopher Jacques Lacan.
以上为从amazon上的介绍
在这部童话般的故事中,年轻而富有冒险精神的尼古拉斯展开一段英雄般的旅程,结伴同行的是狮子骑士,以及他的狮子——这是一只看上去像猎犬而仍然会咆哮的狮子。
以上为emule上的介绍
以上为从amazon上的介绍
在这部童话般的故事中,年轻而富有冒险精神的尼古拉斯展开一段英雄般的旅程,结伴同行的是狮子骑士,以及他的狮子——这是一只看上去像猎犬而仍然会咆哮的狮子。
以上为emule上的介绍
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狄飞惊
欧仁·格林喜欢局部特写,尤其爱好从脚往上移,这部可算是形式主义的极致,技巧一味就简至陋,内容思想也说不上丰富深邃,可想想他既然能拍出牛叉的《每夜》,无聊无趣显然也是故意的。个人将此理解为,做的一次“影像到语言为止”的失败探索。
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2020年12月27日
マツハラ
#A# 特别可爱!对古老故事的重新改写,舍弃了许多部分而达到了以虚代实的极简;由此影片中言语的重要性被凸显出来-故事的被讲述是一种言语(开头),在此间人物被束缚,而解救他们的是另一种言语/“恋人絮语”-来自某种“living”的原初动力/精神力,而其延续也足以带来死者还魂,“the living world”是情感带来了精神力作为运作驱动的世界。手的交握(海报上)那一刻特别动人。
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2020年12月27日
黑大壮女神
我已经过了欣赏这种奇幻电影的年龄么?
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2020年12月27日