拉美莫尔的露琪亚
年份：2016
地区：英国
上映：2016-04-25(英国)
评分：0.0 分
播放：47 次
更新：2018年12月03日
导演：Katie Mitchell
编剧：葛塔诺·多尼采蒂|Salvadore Cammarano
主演：狄安娜·达姆尧|Charles Castronovo|Peter Hoare|Rachael Lloyd|Daniel Oren
分类：音乐|歌舞|戏曲
剧情介绍
Orchestra and Chorus of the Royal Opera House
Daniel Oren (conductor), Katie Mitchell (director)
Diana Damrau (Lucia), Charles Castronovo (Edgardo), Ludovic Tézier (Enrico), Taylor Stayton (Arturo), Kwangchul Youn (Raimondo), Rachael Lloyd (Alisa), Peter Hoare (Normanno)
-----
Designer Vicki Mortimer
Lighting designer Jon Clark
Movement director Joseph Alford
Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from the Royal Opera House, she is, as the Financial Times wrote, 'brilliantly convincing'. Award winning director Katie Mitchell took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. Mitchell also made extensive use of a ‘split screen’ effect on the stage, counterpointing two different pieces of action at key moments.
Daniel Oren (conductor), Katie Mitchell (director)
Diana Damrau (Lucia), Charles Castronovo (Edgardo), Ludovic Tézier (Enrico), Taylor Stayton (Arturo), Kwangchul Youn (Raimondo), Rachael Lloyd (Alisa), Peter Hoare (Normanno)
-----
Designer Vicki Mortimer
Lighting designer Jon Clark
Movement director Joseph Alford
Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from the Royal Opera House, she is, as the Financial Times wrote, 'brilliantly convincing'. Award winning director Katie Mitchell took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. Mitchell also made extensive use of a ‘split screen’ effect on the stage, counterpointing two different pieces of action at key moments.
我要评论
登录后参与评论
破格
2018歌剧电影展/英皇Damrau/歌剧还能这！么！演！！！果然英皇出品所向无敌，唯一能干的过met就是英皇了！！！/虽然是英皇，但是男高女高都太美式范儿了啊哈哈哈，搞的我以为是met制作的/男主Castronovo让我发现了新大陆，直接晋级为我最喜欢的男高，没办法，就是这么外貌——无论颜值还是身材都太特么能打了。
回复
举报
2020年12月27日
－个人的圣经
《罗朱》 《香烛已燃起》（《女神之舞》
回复
举报
2020年12月27日
ZUOzuo
女导演有强烈的个人风格，此剧她大量运用巴洛克的构图光线色彩，演员的表演也强调速度感和瞬时性；分屏的设置，到后期杀未婚夫一场 右边的女主表演繁复的哑剧，左边男性歌手的咏叹调巧妙变为杀人哑剧的配乐，歌剧适合表现暴力，黑暗愤怒的情绪通过光明璀璨的嗓音表现，肉嗓发挥极限表现的美不分善恶
回复
举报
2020年12月27日