剧情介绍
在一所公寓的厨房中,一对夫妻为避免吵醒隔壁房中熟睡的女儿,低声谈论着小红帽的故事。郊区空地上,这个男人躲在一排废弃的拖车后静默地观察一群人,后者似乎是一家人。同一个城市,同一个男人:他带着两枚猎枪击针穿越在堵塞的车流中。男人42岁,名叫Viorel。他被自己阴暗的想法所震惊,穿越整个城市,前往只有他自己知道的一个目的地。
An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping in the next room.
A wasteland on the city’s outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family.
The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle.
The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.
An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping in the next room.
A wasteland on the city’s outskirts: behind a line of abandoned trailers, the man silently watches what seems to be a family.
The same city, the same man: driving through traffic with two hand-made firing pins for a hunting rifle.
The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.
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亵渎电影
看来任何新浪潮都不是我的菜,首先美学观念上就背道而驰。影片的生活化、距离感和当下罗马尼亚社会问题的影射确实做的不错,典型的罗马尼亚新浪潮风格,可惜三个小时的片长,我几乎就是睡过去的,叙事刻意和观众保持着距离,实在难以忍受这种风格。★★★
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2020年12月27日
你就是它
173min
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2020年12月27日
兔子
我觉得电影若是脱离了大众,变得高于现实,并且为了刻意肆意表达自己所要表达的想法而偏执的无可救药,脱离根基的新浪潮新思维是没人会支持的,导演自己拍着玩玩就好
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2020年11月25日