剧情介绍
Made for only $350,000 in 1985 when no one wanted to fund or star in a movie about lesbians, Desert Hearts is widely considered the first full-length lesbian love story, and its success paved the way for the proliferation of lesbian films we enjoy today.
Directed by Donna Deitch and set in 1950's Reno, Nevada, Desert Hearts tells the story of a 35-year-old uptight female professor Vivian (Helen Shaver) who comes to town to file for divorce and ends up falling in love with a free-spirited 25-year-old casino worker Cay (Patricia Charbonneau).
Although Vivian left her husband because she had "drowned in still waters," she is not quite prepared for the tidal wave-effect Cay has on her life. As Vivian herself admits, her life is all about "order," and her image of herself as a scholar and a professional, upstanding woman does not include a relationship with a woman. Cay, meanwhile, is living at home with her stepmother, Frances (Audra Lindley) while she waits to meet someone who "counts"--and she almost immediately recognizes that Vivian is that someone.
Both women struggle with conflicting desires and a sense of obligation to others, and are ultimately drawn together not just because of their attraction to each other, but because each woman offers the other something she has been unable to find on her own.
Directed by Donna Deitch and set in 1950's Reno, Nevada, Desert Hearts tells the story of a 35-year-old uptight female professor Vivian (Helen Shaver) who comes to town to file for divorce and ends up falling in love with a free-spirited 25-year-old casino worker Cay (Patricia Charbonneau).
Although Vivian left her husband because she had "drowned in still waters," she is not quite prepared for the tidal wave-effect Cay has on her life. As Vivian herself admits, her life is all about "order," and her image of herself as a scholar and a professional, upstanding woman does not include a relationship with a woman. Cay, meanwhile, is living at home with her stepmother, Frances (Audra Lindley) while she waits to meet someone who "counts"--and she almost immediately recognizes that Vivian is that someone.
Both women struggle with conflicting desires and a sense of obligation to others, and are ultimately drawn together not just because of their attraction to each other, but because each woman offers the other something she has been unable to find on her own.
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麥爾斯
good old ost.
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2020年11月22日
dinosaurs
这片蕾丝边经典,不能不说是令人失望的。教师和野小子,如果是两个男人的话,其间的性张力几乎不需赘言便自然存在了。但是女教师和野姑娘呢?野姑娘和野小子有啥区别呢?女教师的底蕴和男教师有啥区分呢?女性角色需要有标尺而不能自然独立,我知道这是歧视的观点,但这是个实际问题,绕开人物就虚了。
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2020年11月22日
Helen
The plot is quite predictable and ordinary, but man this picture is beautiful! The scenes are just breathtaking. The vulnerabilities of the characters and the way the dp shot them just make them so pretty and touched the softest part of my heart. Quite a few lines got me and I got quite teary towards the later part. Also loved the costumes. #1945
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2020年11月22日