剧情介绍
Australia's Tony Krawitz (Jewboy, The Tall Man) directs the adaptation of The Slap author Christos Tsiolkas' award-winning novel in this searing film about history, guilt and secrets.
Ewen Leslie delivers a great performance as photographer Isaac, whose father's death in suburban Sydney reveals the schism in his family and prompts a return to the ancestral homeland.
On a trip to his parent's village in Greece, he learns something of his father's cursed history.
At first he dismisses the revelation as superstitious nonsense, but over the course of his travels - from Greece to Paris to Budapest - Isaac is forced to confront the anti-Semitism of the past, the embedded bigotry in the bones of Europe and the nature of inherited guilt.
It is on this fateful trip that Isaac will learn the truth of his family's migration to Australia, their refusal to ever return to Greece, and the burden he continues to bear as a consequence of acts committed years before his birth.
Krawitz sensitively depicts this clash of mythology and a very contemporary reality in this daring and enigmatic film populated by spirits and outcasts.
Ewen Leslie delivers a great performance as photographer Isaac, whose father's death in suburban Sydney reveals the schism in his family and prompts a return to the ancestral homeland.
On a trip to his parent's village in Greece, he learns something of his father's cursed history.
At first he dismisses the revelation as superstitious nonsense, but over the course of his travels - from Greece to Paris to Budapest - Isaac is forced to confront the anti-Semitism of the past, the embedded bigotry in the bones of Europe and the nature of inherited guilt.
It is on this fateful trip that Isaac will learn the truth of his family's migration to Australia, their refusal to ever return to Greece, and the burden he continues to bear as a consequence of acts committed years before his birth.
Krawitz sensitively depicts this clash of mythology and a very contemporary reality in this daring and enigmatic film populated by spirits and outcasts.
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Evelyn桃桃
腔调相当优秀,但是过于黄暴小清新了以至于活生生浪费了一个好脑洞。透明最后三分之一的地方才出现耶,布达佩斯庭院深深里的一个昏迷的美貌汉子,真是不能更对我胃口了……本来以为是男主角基友最后居然是亲哥,不给力。剧情太坑爹,Marton演技爆发了超级棒的嘤嘤。
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2020年12月27日
苦路
一具不可名状地在未来现在过去死亡欧洲的鬼魂,仿佛是一个寓言
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2020年12月27日
阿文
那个鬼魅的孩子,我以为只是昔日阴影的一种隐喻,所以没懂最后他怎么可以拿着男主的钱包;电影布达佩斯的片段展示了欧洲地下色情业的一角,看着也令人毛骨悚然,其他的表达混乱,好像导演也吸毒了处于一片混乱之中一样!
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2020年12月27日