四姐妹
年份：2017
地区：法国
上映：2017-10(纽约电影节)
评分：0.0 分
播放：13 次
更新：2020年08月16日
导演：克洛德·朗兹曼
编剧：克洛德·朗兹曼
主演：
分类：纪录片
剧情介绍
The Hippocratic Oath (France, 2017, 89m)
Baluty (France, 2017, 64m)
The Merry Flea (France, 2017, 52m)
Noah’s Ark (France, 2017, 68m)
Since 1999, Claude Lanzmann has made several films that could be considered satellites of Shoah, comprised of interviews conducted in the 1970s that didn’t make it into the final, monumental work. He has just completed a series of four new films, built around four women from four different areas of Eastern Europe with four different destinies, each finding herself unexpectedly and improbably alive after war’s end: Ruth Elias from Ostravia, Czechoslovakia; Paula Biren from Lodz, Poland; Ada Lichtman from further south in Krakow; and Hannah Marton from Cluj, or Kolozsvár, in Transylvania. “What they have in common,” wrote Lanzmann, “apart from the specific horrors each one of them was subjected to, is their intelligence, an incisive, sharp and carnal intelligence that rejects all pretence and false reasons—in a word—idealism.” What is so remarkable about Lanzmann’s films is the way that they stay within the immediate present tense, where the absolute horror of the shoah is always happening.
Baluty (France, 2017, 64m)
The Merry Flea (France, 2017, 52m)
Noah’s Ark (France, 2017, 68m)
Since 1999, Claude Lanzmann has made several films that could be considered satellites of Shoah, comprised of interviews conducted in the 1970s that didn’t make it into the final, monumental work. He has just completed a series of four new films, built around four women from four different areas of Eastern Europe with four different destinies, each finding herself unexpectedly and improbably alive after war’s end: Ruth Elias from Ostravia, Czechoslovakia; Paula Biren from Lodz, Poland; Ada Lichtman from further south in Krakow; and Hannah Marton from Cluj, or Kolozsvár, in Transylvania. “What they have in common,” wrote Lanzmann, “apart from the specific horrors each one of them was subjected to, is their intelligence, an incisive, sharp and carnal intelligence that rejects all pretence and false reasons—in a word—idealism.” What is so remarkable about Lanzmann’s films is the way that they stay within the immediate present tense, where the absolute horror of the shoah is always happening.
我要评论
登录后参与评论
TWY
叙述的力量，直白凌厉的凝视让一切伪造的影像变得毫无意义，四位奶奶都极为智慧，恐怖的故事中鼓舞人心但极具矛盾的生存力量令人感动。
回复
举报
2020年12月27日
面包面条面饼
Shoah, not Holocaust, NYFF55 - Special Events at WRT and FBT
回复
举报
2020年12月27日
[已注销]
单位只放了一个半小时 其中一个奶奶的故事。从始至终机位近乎未动 近中远景切换频率极低 几乎全是奶奶叙述往事的镜头 或许是为了表达对当事人及历史的敬重。中间穿插的两三次拉琴吟唱非常甜蜜 平静。伤痛背后能看到时间的力量。
回复
举报
2020年12月27日