剧情介绍
这是一部关于儿童成长的纪录片,大俊和小美是一对兄妹,几个月前,他们的妈妈去上海打工了,留下他们俩由爸爸和爷爷来照看。没有妈妈在身边的日子,孩子的生活少了关爱和无微不至的照顾,但却获得了更多玩耍的自由。热爱动物的孩子,珍惜粮食的爷爷,即将消失的手艺人和各种家养牲畜,小美的三岁,从这里开始,在这里成长。
This documentary concerns the growth of a particular child. Dajun and Xiaomei are a pair of siblings who live with their father and grandfather after their mother went to work in Shanghai. Without the presence of a motherly figure, both children gained more playtime but there seemed to be a conspicuous lack of motherly love and care. Nontheless with her frugal grandfather, their farm animals and the talented craftsmen of their hometown, Xiaomei's childhood has just began.
This documentary concerns the growth of a particular child. Dajun and Xiaomei are a pair of siblings who live with their father and grandfather after their mother went to work in Shanghai. Without the presence of a motherly figure, both children gained more playtime but there seemed to be a conspicuous lack of motherly love and care. Nontheless with her frugal grandfather, their farm animals and the talented craftsmen of their hometown, Xiaomei's childhood has just began.
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晚不安
非常惊人的作品,浑然天成,意趣盎然,看得我又笑又哭的。是生活流的片子,但比姜纪杰的《二十四》靠近很多,不止静观,更有温度。片名取得好极了,自在轻盈,借了孩童的天真,继而拍乡村自然的图景。不猎奇,不带预设,像是一挥而就。好比假期小学老师布置一篇作文,就对着日常一通散漫的记录,没有明确的主题,但最后读起来是美的。作者理念相当成熟,因为导演懂得隐藏自己,也不对来自家庭外部的视角做任何伪装,影像的质感很舒服,不拧巴。镜头捕捉到了人(孩子)内心深处的秩序,以及生命和生活本身的优雅。
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2020年12月27日
十二点儿一
导筒在上海吾同书局的放映会,1/28/2018.
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2020年12月27日
U 兔
朋友季轩(豆瓣id静止的流水)作品,出乎意料得饱满,跟踪了一个三岁的小朋友小美一段时间的经历,她还有一位长得挺帅的小哥哥、有点大大咧咧但还算负责的爸爸、对粮食有着非凡耐心的爷爷,这主要人物都是比较典型且有看点的。选取的素材平淡但不失有趣:哥妹吃饭、看电视、赶集、哥哥赶羊跑到主人家里邀功“我们几个小孩厉不厉害”,感觉农村小朋友自理能力强好多,自己吃饭上蹿下跳、摔一下也不哭。整体节奏有点散,但不俗气,毕竟孩子的生活确实就是这样想起一出是一出的节奏感;后半段引向了外出务工人员的状况,但也并没有要深挖的意思,依然聚焦在小朋友的那点小心思。小朋友对镜头没什么特殊感觉似乎完全习惯了它的存在,这是一个大优势。从片中也是真看出农村和城市生活状态的依稀根儿上的不同,挺有意思。
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2020年12月27日