剧情介绍
1983年,年仅36岁的日本摄影家牛腸茂雄病逝,作为其好友的纪录片导演佐藤真拍摄了这部纪念影片,用真挚的情感回顾了摄影家的一生,影片几乎没有对白,镜头静静地从牛腸茂雄的故居摆设回到他的摄影作品上。。。
http://ja.wikipedia. org/wiki/%E7%89%9B%E 8%85%B8%E8%8C%82%E9% 9B%84
In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression.
This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.
http://ja.wikipedia.
In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression.
This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.
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Methy
牛肠的呓语和佐藤的剪辑融为一体,个人的观感是一个不断回旋的闭环:声音、写真、影像、信、情绪在不断冲撞着橡胶的墙壁。这里的”我“是牛肠,也是佐藤。
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2020年12月27日
paradiso
旁白居然是西島秀俊
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2020年12月27日
防寒对策
もしもし、聞こえますか。聞こえますか。聞こえますか。
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2020年11月25日