剧情介绍
1983年,年仅36岁的日本摄影家牛腸茂雄病逝,作为其好友的纪录片导演佐藤真拍摄了这部纪念影片,用真挚的情感回顾了摄影家的一生,影片几乎没有对白,镜头静静地从牛腸茂雄的故居摆设回到他的摄影作品上。。。
http://ja.wikipedia. org/wiki/%E7%89%9B%E 8%85%B8%E8%8C%82%E9% 9B%84
In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression.
This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.
http://ja.wikipedia.
In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression.
This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.
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吕X
“我喜欢捕捉微妙到可以被忽略的美。”
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2020年11月25日
木卫二
没有纪录片常见的口述采访镜头,也没有出现任何活动的人物影像,而是以牛肠茂雄的作品和相片串联起一个疑问,他是谁,他做了什么。在采访当年的拍摄对象时,他们有的说,当时不喜欢被拍下来的照片;有的说,最不喜欢的,就是摄影师收到集子的那张。
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2020年12月27日
Methy
牛肠的呓语和佐藤的剪辑融为一体,个人的观感是一个不断回旋的闭环:声音、写真、影像、信、情绪在不断冲撞着橡胶的墙壁。这里的”我“是牛肠,也是佐藤。
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2020年12月27日