剧情介绍
Armando Iannucci presents a personal argument in praise of the genius of Charles Dickens. Through the prism of the author's most autobiographical novel, David Copperfield, Armando looks beyond Dickens - the national institution - and instead explores the qualities of Dickens's work which still make him one of the best British writers.
While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth.
Armando argues that Dickens's remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.
While Dickens is often celebrated for his powerful depictions of Victorian England and his role as a social reformer, this programme foregrounds the elements of his writing which make him worth reading, as much for what he tells us about ourselves in the twenty-first century as our ancestors in the nineteenth.
Armando argues that Dickens's remarkable use of language and his extraordinary gift for creating characters make him a startlingly experimental and psychologically penetrating writer who demands not just to be adapted for television but to be read and read again.
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風知道
夏末秋。讲述比较简单,没什么趣闻轶事,读过Dickens的书,确是大家,讲故事的高手,天生的小说家,
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2020年12月27日
青山眉黛
#公开探索BBC# 100 生平涉及甚少。一个用滑稽而真诚的口吻讲述故事的人,以及他故事中那些极深重的黑暗。A happy ending is dull. 真丢人,当初读20多页了科坡菲尔还没生出来,就放弃了这个狄更斯最爱的孩子~。
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2020年12月27日
阿素喇
看过不少狄更斯小说改编影视,但没读过他的作品真不适合看这部纪录片(片子里爆了狄更斯参与走私的黑历史 哈~)
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2020年12月27日