剧情介绍
This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.
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昨天晚上我们绿不绿?
阿克曼的幽灵在后共产主义社会上空游荡
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2020年12月27日
毛
穿过面孔和面孔的阴影,穿过那条隐线,抵达的都是殊途同归,如果要说其余的,其余的都变成了影像,或者说是文学。
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2020年12月27日
妄执完王知宛
她的剪辑师 Claire Atherton 说她们剪辑的时候只交换很零碎的评论,会给镜头取名字,“绿色的”“白色的”“the superb”?(the superb 的那个镜头是剧院外人群背影,雪还在纷纷落下来)。据说这片子是打算电视播放的。后来做的有24块屏幕的装置因为图像变成循环播放没有了结尾,她们就做了第25块用来收纳无止尽的loop:那就是阿克曼自己的声音。
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2020年12月27日